One of the more unique features of my personal film opening is the stylized approach I have taken for coloring my scenes. Typically, in animation, the coloring of frames is simple; line art is a regular base color, and everything within the line art is colored however the artists please. It sounds simple, yes. However, given the time that I have for this to be finished, I will not be able to color with such "wholeness". With this being said, I have found my solution to this issue. Instead of having basic, simple colors that can be used purely for aesthetic choices, I have decided to color my scenes in a way that shows what the tension and intentions the characters face are. For instance, In this scene, the Bounty Hunter is shown with a deep blue line art. Later on in this scene, we see the Sheriff chasing after him. The Sheriff has a deep red line art, with the frame being surround by a red vignette. These color choices help emphasize the mood and feeling of these scenes. T...